MIGUEL BONAL, viola da gamba

Tobias Hume: First book of Ayres: "Souldiers Galliard" and "Good Again" / Georg Philipp Telemann: Sonata for solo viola, TWV 40:1 / Carl Friedrich Abel: Manuscrit Drexel 5871: Adagio – Allegro – Minueto / Marin Marais: Suite in D major from the Troisième livre de pièces de viole / Tobias Hume: First book of Ayres: "Darke, Darke – Deth" / Karl Friedrich Abel: Manuscrit Drexel 5871: "Arpeggiata" / J. S. Bach: Suite for solo cello No. 2, BWV 1008

Emotion is in everything we do, see and feel, and we have the capability to assimilate it as a memory that we store in the deepest part of our being. This is how Miguel Bonal conceives the cultural heritage that has come down to us. From silence to emotion, within the framework of the sonorous discourse, shows the importance of silence in speech, with the intention of creating an emotion capable of lasting in people's memories. Even in the Baroque period, music was able to reproduce a wide panoply of sensations and emotions. During this period, the viola da gamba would play an essential role, being the instrument that best imitated the human voice. We stand before an instrument whose sonority is clearly akin to human nature, in which silence and emotion are shared.